I average somewhere close to 100 books a year, most years, so it's actually kind of hard for me to give a precise summation of what's going in on my life as a reader at any given moment. The bulk of it is sci-fi and fantasy, but I also rotate in quite a lot of history and biography, some popular science, and various flavors of noir, historical fiction, detective/police procedural, humor, and mystery.
Currently, I'm reading
Thieves' World: Volume One, which is an omnibus of three volumes' worth of short stories and novellas, all set in a shared fictive world devised by the late Robert Lynn Asprin, who edited and contributed throughout. It's all pretty old-fashioned stuff; the material in this omnibus dates back to 1979-1981, and the contributing authors' list consists of prominent names from that era: Philip Jose Farmer, C. J. Cherryh, David Drake, and Marion Zimmer Bradley all show up in this omnibus. Later volumes show continued involvement by Drake and Cherryh.
The story from Bradley features a female character who is inappropriately young to be a romantic interest, but is seen as one by the main character of Bradley's story. This was published before her heinous molestation of her own daughter became known, but reading it was definitely a kind of, "Oh, shit. Yeah, the signs were there, all right," kind of moment for me.
Getting past that, the majority of the contents of this volume are sword-and-sorcery fare of a kind that I think would appeal to people who enjoyed Robert E. Howard's Conan and Solomon Kane. It's very much in the same spirit. I would also say that it has aged . . . not poorly, exactly, but unevenly. It was written in an era with very different gender politics, and the tales in this book rely on plot devices and conventions that might or might not have the same zest for modern readers as they did 40 years ago.
I think the non-fantasy fiction I've read recently that would be most likely to appeal to folks around here is probably Lindsey Davis's sprawling historical mystery series that turns on the misadventures of one Marcus Didius Falco, an "informer" in Rome during the Flavian dynasty (that'd be Vespasian, Titus and Domitian, who succeeded the Julio-Claudians). It is a pure delight, both because the characters and plots are a lot of fun, and because Davis's period research is generally of very good quality. Start with
The Silver Pigs. The Falco series is quite lengthy, at 20 volumes plus about 4 short stories and novellas, but totally worth your time. There's also a sequel, the Flavia Albia mysteries, featuring his adoptive daughter from the barbaric frontier province of Britannia.
Other honorable mention goes to the works of Tim Dorsey, who is like a discount version of Carl Hiaasen or Elmore Leonard. Like then, he writes darkly humorous noir/mystery/crime novels set in Florida.
Returning to fantasy/sci-fi, I have a real soft spot for the work of Charles Stross, especially his engrossing Laundry Files series. It begins as a somewhat bizarre crossbreed between
The IT Crowd, Ian Fleming's
James Bond novels, and the works of H. P. Lovecraft; it's quite the strange mix of workplace humor, espionage, and cosmic horror. The tone gradually gets darker and darker as the series continues. Start with
The Atrocity Archives. I would say that this scratches some of the same spots as Jim Butcher's Dresden Files, but it's very much its own thing. Separately, he also has been doing some really interesting "parallel universe/alternate present" sci-fi in his Merchant Princes series (start with
The Family Trade.
In similar vein,
Rivers of London is the jumping-off point for Ben Aaronovitch's engaging Met Police procedural/modern wizard urban fantasy series.
A more traditional fantasy that I've enjoyed lately has been the Quillifer trilogy by Walter Jon Williams. The eponymous first volume is
Quillifer; the setting is a secondary world that is reminiscent of Tudor England (there is even an ersatz Shakespeare). The main character, Quillifer, is the son of a butcher; he survives the sack of his hometown, becomes a lawyer, gets involved in life at the royal court, attracts the attention of a hostile goddess or faerie, and spends a lot of his time being a conniving, opportunistic asshole. If you enjoyed
The Lies of Locke Lamora, this is a pretty good bet for you; Williams's work here also is somewhat reminiscent of Joe Abercrombie's lighter material.